Kunihiko Ikuhara’s followup to BE-PAPAS’s Revolutionary Girl Utena was Mawaru Penguindrum, released some fifteen years later! It’s another series I enjoy for its multiple layers, and also like Utena, for its music.
This is the primary ending theme song for the series, which is Japanese shoegaze, and it got me kind of interested in shoegaze in general with its distinct sound.
in the Wired 